03. Asterix and the Goths
The third album in the Asterix series, Asterix and the Goths, was published in 1963 in Pilote magazine before being compiled into a standalone book. Written by René Goscinny and illustrated by Albert Uderzo, the story marks the first time Asterix and Obelix venture beyond Gaul’s borders, traveling to Germania. Set during a time of growing European reconciliation following World War II, the album humorously critiques Germanic stereotypes of rigidity and militarism, though Uderzo later expressed regret over its overtly Germanophobic tone. The album faced controversy in Germany when its initial translation included unauthorized political propaganda against East Germany, which was quickly corrected upon discovery by the creators.
The story is a blend of satire, action, and slapstick humor, while maintaining its focus on camaraderie and cultural parody. It also introduces recurring tropes, such as Asterix and Obelix’s disguises and the transformative power of the magic potion in resolving conflicts.
Synopsis
The story is the sequel to Asterix and the Golden Sickle, when Getafix needed a new sickle to be able to attend the annual meeting of the druids. Asterix and the Goths begins with that annual gathering of druids in the Forest of the Carnutes, where Getafix is set to participate in a competition for the coveted “Druid of the Year” title. Concerned about his safety, Asterix and Obelix accompany him to the forest but are forbidden from entering the sacred grounds.
Meanwhile, a band of Goths, led by their chief, Choleric (Fr. Coudetric), infiltrates Gaul with the intent of kidnapping the winning druid and with his wisdom conquer both Gaul and Rome.
During the competition, Getafix wins the “Golden Menhir” for his magic potion, impressing his peers with its unparalleled power. However, as he leaves the forest, the Goths ambush and abduct him. Alerted by the Belgian druid Valueaddedtax (Fr. Septantesix), Asterix and Obelix immediately set off in pursuit.
Crossing into Gothic territory, the duo navigates a series of comedic and perilous encounters. They disguise themselves as Goths, infiltrate enemy ranks, and evenually locate Getafix, who is being pressured to brew the potion for the Gothic leader, Metric (Fr. Téléféric). Getafix cleverly stalls for time, while Asterix and Obelix plot a daring rescue.
The Gauls provoke chaos among the Goths by distributing magic potion to multiple rival factions, leading to a civil war known as the “Asterixian Wars.” The infighting effectively neutralizes the Gothic threat. Victorious and with Panoramix safe, the trio returns to their village, where a celebratory banquet concludes the adventure.
Newly introduced Characters
- Choleric (Fr. Coudetric) The Goth who leads the kidnapping of Getafix.
- Metric (Téléféric): The Gothic chief who demands the potion from Getafix, only to see his authority undermined by the ensuing chaos.
- Valueaddedtax (Septantesix): A Belgian druid who alerts Asterix and Obelix to Panoramix’s capture, highlighting the camaraderie among druids.
- Rhetoric (Cloridric): A Gothic translator whose duplicity and cowardice contribute to the comedic elements of the story.
Latin Quotes in Asterix and the Goths
- Errare Humanum Est
Translation: “To err is human.”- This phrase emphasizes the universal nature of making mistakes and the necessity of forgiveness. It originates from Roman literature, most notably Seneca the Younger in his works on philosophy and ethics. It has since become a timeless aphorism, appearing in various contexts across history.
- Deis Volentibus
Translation: “Gods willing” (or “If the gods are willing”).- This phrase conveys hope or contingency based on divine favor. It reflects Roman polytheistic beliefs, often uttered before actions dependent on fate or divine approval. Similar expressions are found in ancient prayers and writings, illustrating a reverence for the gods’ influence in daily life.
Reception and Legacy
Asterix and the Goths received widespread acclaim for its humor, inventive plot, and satirical edge. However, its initial reception in Germany was mixed due to cultural sensitivities. Over time, the album became a classic, appreciated for its clever storytelling and iconic artwork. It set the tone for future Asterix adventures that explore different cultures, blending historical parody with universal humor.
My collection
